Location, Location, Location #2

Location No. 2 – Alderley Edge, Cheshire

In the second of my series discussing the settings for my novels, come with me to Alderley Edge, in Cheshire, NW England.

“Alderley Edge is an abrupt and elevated ridge, formerly the site of a beacon, which bears the appearance of having been detached by some great convulsion of nature. … The sides are varied with cultivated land, wood and rock; and the entire mass presents a striking object to all the surrounding district over which it commands a most extensive prospect.” The History of the County Palatine and City of Chester, George Ormerod (1819).

This looming escarpment provides the backdrop to my third novel, ‘Following the Green Rabbit’, which I began writing during NaNoWriMo in 2018. By this time, I’d been living in South Africa for eight years, so I was drawing heavily on my carefully stored memories of the English countryside for the setting.

Alderley Edge still towers over a patchwork of fields and farmland and small villages. It has an ancient, timeless quality. I drove past it numerous times when making the journey home from North Wales to Liverpool, and I can still see it clearly in my mind’s eye: a massive stark shape hunched over the surrounding landscape, dark against the glowing afternoon sky. This, and the open countryside beyond, the wide Cheshire Plain, peppered with old villages that still hold the essence of the past, was the perfect setting for the novel.

This location also provided the setting for two of my favourite childhood novels, The Weirdstone of Brisingamen and its sequel, The Moon of Gomrath, written by British novelist, Alan Garner. Garner lived locally and the timeless quality of the place and the legends associated with it, inspired him too. It’s a place where anything might happen at any time in history.

The towering escarpment, presiding as it does over a flat, low-lying landscape, is a metaphor for the wicked Lord of the Manor in the novel, whose presence looms over the lives of the people who live in the village where my two plucky heroines find themselves.

Excerpt from ‘Following the Green Rabbit’

They stood up, wondering where to run. The sound of the hooves was getting louder. A horse snorted and they heard a man cry out.

“Quick. Behind the house.” Bryony grabbed her sister’s hand and they ran around the back of the damaged building.

Seconds later the clearing was full of stomping horses. The girls cowered under the window at the back of the house.

A man shouted. “Where did he go?” Another voice: “Search the buildings.”

Bethany gasped. Bryony held her tight. Over her shoulder she saw something moving in the bushes. A boy’s head appeared. His eyes were wide-open and startled-looking. He stared straight at Bryony, who froze, clinging on to her sister. Bryony was aware of more shouting at the front of the house. The men were arguing. She focused on the boy’s face. It was scratched and dirty, his hair was sticking out wildly from under his cap and his shirt was torn. He looked to left and right, then beckoned to her, nodding and mouthing words to her.

Bethany twisted around to see what Bryony was looking at. She gasped in surprise. The boy beckoned with greater urgency. At the front of the building the shouting stopped.

Then suddenly, they heard the order. “Find him! Spread out! He’s got to be here somewhere.” The voice was harsh and the accent strange to Bryony’s ears. She looked at Bethany and nodded. They scrabbled into the bushes and followed the boy as he disappeared deep into the undergrowth.

He moved rapidly and the girls struggled to keep up. But they did. The men’s shouts as they rode around the glade on their heavy-hoofed horses spurred them on. Low branches tugged at their hair and their clothes, while brambles scratched their bare legs. They stumbled over roots and crawled over logs for what seemed like ages. The boy glanced back a couple of times to check on their progress, but he didn’t slacken the pace. Finally they came to a steep bank where he stopped.

“Get ourselves over that,” he nodded at the bank, “they’ll not follow. A bit further on there’s a place where we can stop and talk.”

The girls weren’t used to climbing but he showed them how to use the tree roots as hand and foot holds and they soon managed to clamber up. A series of rocky outcrops on the other side made it easy enough for the girls to scramble down.

“Follow me,” the boy said. The girls obeyed, picking their way along the rock-strewn path. Both were grateful to still be wearing their sturdy outdoor shoes from their morning walk into the village. A little further along he stopped again and led them down another dip in the land to a wide flat slab of stone at the entrance to a cave.

The boy flopped down on the ground just inside the cave. The girls followed his example, leaning back against the smooth cave walls. “That was a close call,” he said. “I thought me goose was well and truly cooked.”


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Image credit: Brian Abbott

22 thoughts on “Location, Location, Location #2

    • That’s a good question, Jean! Often when I get stuck on novel writing, working on something else for a while means I return with a new perspective. I don’t know about you, but I think when I’m busy with a novel, part of my brain is constantly working on it subconsciously. For example, I was watching the first Star Trek movie(!) last night, and a clear image of a scene for my current WIP popped into my head – totally unrelated to the film. I don’t want to try to rationalize it too much. It might stop happening.

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