Stephen King…amazing writer! Cristian Milhai gives us a quick and useful synopsis of King’s book “On Writing”.
by Amy Karian
1. When I have three characters in a scene and one just kind of disappears into the sidelines
They might be smoking a cigarette or off drinking a Coke. Maybe they’re having a bathroom break. Maybe they’re lurking in the corner, reading ahead in the script to see what happens next or if their character is going to die. No one knows. That character is just missing in action and I can solemnly swear that I did not send them out of the room.
2. When my characters have out of character moments
They might say something that just doesn’t mesh with who they are and their normal way of talking/acting. My Internal Editor usually puts an end to that nonsense. I’ll have another character actually say, “What’s gotten into you? You’re not acting like yourself.” And I’m like “Heck yeah. He isn’t acting like himself. I’m…
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by Andrea Lundgren
Personally, I like fitting endings even more than happy ones. Sure, it’s nice to know that the characters you’ve read about succeed. When you’ve invested time and emotional energy, you enjoy it when they make it out of their troubles and gain the victory they’ve sought for so long, but I don’t like false endings. I don’t like endings that feel fake, as though the author pulled some strings with the fictional higher powers to give the characters the ending they wanted, rather than what they deserved.
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Writing on your own, it’s easy — and acceptable — to leave small errors and ‘iffy’ sentences alone until you decide to edit later (if you ever get that far — let’s be honest). This doesn’t fly when you’re submitting your work to an editor, though. There’s a certain level of “polished” editors expect from anything they consider for publishing, and if you’re not willing, or don’t know how, to get to that stage, you’re going to have a hard time getting published.
This goes far beyond basic spelling and grammar. (If you can’t fix these obvious errors on your own, you’re probably not quite ready to submit to editors — and that’s OK.) Here’s what to make sure you’ve revised/rewritten before you send off that piece of writing.
1. Unnecessary words
Fluff is not
at all an impressive thing. For many people, it’s a leftover bad habit…
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by Theresa Jacobs
I was46 yrs. old, working in retail, and had squashed my desire to write for twenty plus years. I was beginning to question my life, or more so, my lack of ambition in 2016. One day I woke up and said to myself: “Life is pointless if I am not happy with who I am.”
My new life as a writer was born that day.
I did have a dusty, twenty-year-old manuscript, housed on floppy discs – for those who may not know, this is an outdated mode of saving files.
I have a tendency to jump straight from the frying pan into the fire. I took these files, and without re-reading the book, or doing any editing, I decided to upload it to Amazon. That was not a brilliant idea. I just put a rough draft out there for all the world to read.
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A very useful article!
by Ken Harrison
I started writing as Keith Wilkins for extra cash back in the ’90s when you could make a quick buck writing short stories for porn magazines. I also wrote book reviews for a local LGBT newspaper, Bay Windows, but short stories paid more. I was a regular contributor to such magazines as In Touch, Indulge, Blueboy, and Mandate. My fiction appeared in other magazines here and there, but those were the ones that published the bulk of my stories. Let me tell you, it was the best part-time job I ever had.
It wasn’t until I published my first short story collection through Leyland Publications, Daddy’s Boys, that I used my full name, Kenneth Harrison. My publisher was the one who talked me into using my real name, and I’m glad I did. These days, I use Ken Harrison, which is what people actually call me.
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